Showing results: 1 - 10 of 10 items found.
-
Meilhaus Electronic GmbH
The MCD AudioAnalyzer is used to test and calibrate analog and digital sound systems, or it can be used to convert analogue audio signals into digital form and vice versa. Also, the conversion of optical to electrical S / PDIF signals and vice versa can be done. The MCD AudioAnalyzer combines software (Toolmonitor MCD AudioAnalyzer) and hardware for the analysis and generation of analog and digital signals in the audio area.
-
DR2 -
NTi Audio
The Digirator DR2 is a reference-grade digital audio signal generator with transformer-balanced AES3, S/PDIF, TOSLINK and ADAT outputs. The generator offers a wide range of test signals like sine, pink noise, white noise, polarity, delay, chirp and sweep.
-
Digirator DR2 -
NTi Audio AG
The Digirator DR2 is a reference-grade digital audio signal generator with transformer-balanced AES3, S/PDIF, TOSLINK and ADAT outputs. The generator offers a wide range of test signals like sine, pink noise, white noise, polarity, delay, chirp and sweep.
-
En Technology
The mAEStro AADC-100 accepts balanced stereo analog audio inputs and converts them into a single digital bit stream in compliance with the AES/EBU (AES3) and S/PDIF digital audio standards. It generates 24-bit values and uses 128 times over-sampling for extremely accurate and linear analog to digital conversion, as well as offering a high dynamic range with exceptionally low total harmonic distortion and noise.
-
En Technology
The mAEStro ADAC-100 receives AES/EBU (AES3) or S/PDIF digital audio and converts it to two channels of analog audio. It automatically detects sample rates up to 96kHz with low-jitter clock recovery. Two balanced line-level audio outputs are provided on XLR connectors on the rear panel. For convenient monitoring, a stereo headphone mini-jack and volume control are provided on the front panel.
-
En Technology
The mAEStro ADA-100 receives AES/EBU (AES3) or S/PDIF digital audio and provides four re-clocked digital audio outputs. It automatically detects sample rates from 32kHz to 96kHz with low-jitter clock recovery. The outputs are completely regenerated using a jitter-free clock that is locked to the source input. The rugged self-contained metal enclosure has a number of mounting options from desktop, to rear side-rail rack mounting, to ganged front-side or rear-side rack mounting.
-
VQDM-100 -
VideoQ Inc
Versatile compact and robust multi-purpose tool for R&D and glass-to-glass QA/QC Instant visual-aural quality estimation plus automatic latency, AV sync and 3D LR sync measurement Multi-channel time-line analysis, including video frames continuity testing 4 Light Sensors with vacuum caps, 4 Audio inputs (standard line levels) 2 channels of AV timing analysis, simultaneous measurements of Video and Audio Latencies Real time multi-channel data acquisition via USB port Unique sophisticated set of static and dynamic test patterns up to 1080p@60fps - see more details in separate VQL page Source of VQDM, VQMA2, and VQMA3 Test Patterns for VideoQ Analyzers Multi-format digital and analog AV outputs: HDMI, YPrPb, S-video, SPDIF, LR analog audio Networkable unit, easy expansion with any external USB storage device: live clips, user content, etc.
-
DL1 -
NTi Audio
The Digilyzer DL1 is a powerful digital audio analyzer. Testing, monitoring and troubleshooting digital audio interfaces is straight-forward using this compact tool. The digital audio formats AES3, S/PDIF, TOSLINK and ADAT with sampling frequencies up to 96 kHz are supported.
-
SPDIF+TOS to AES conversion -
Murraypro Electronics
This handy little unit (Catalogue: 462) has been developed to interface between Equipment that requires an AES3 IP, and that which offers either an SPDIF unbalanced OP, or a TOS optical OPs. An elegant feature is the automatic change over between SPDIF or TOS operation, which requires no adjustment; the only proviso being that no attempt is made to use both inputs simultaneously
-
Dual AES DAC (4Ch OP) -
Murraypro Electronics
The Cat: 390A/S demodulator has been designed to be fitted within analogue audio equipment that lacks a dedicated AES/EBU digital input, providing a transparent interface with the external digital input. Two channels are housed on the compact card only 80 x 50 mm, each furnishing a balanced audio OP. The modest +12Vpower requirements of the card are usually drawn from the host equipment, removing the requirement for a separate external power supply